With just two firing a year (this year just one) there is always a period where I take a deep breath and look at what came out of the kiln. A time, where the latest pots will show me a road to go down. I examine them again and again, reading their stories. The interaction between and fire and the clay. The surface that results from the flame dropping ash and heat as it travels over the pots, leaving it's mark of nature, has always fascinated me.
Here are a few more to look at.
I try to fire the New London Anagama twice a year. This year because of a trip to Korea and Japan the kiln only got fired once. We fired in September this year, the firing had it's share of problems. I try not to make the same mistakes twice... these problems were all in the new mistake category. Nice to know that there is always something new to learn. Any way here are a few photo's of some of the pots that came out of the fall 2012 firing.
Here are some yumomi from the fall firing. They all have the same carbon trap glaze on them. The glaze really likes the flame and records it well. The pots tell nice tales of the fire and ash.
Make good pots,
January go's on in it's peculiar pace that is uniquely January. Nothing happens in Minnesota this time of year and that happens very slowly.
Slow pots are fitting, no hundred mug series, just a teapot or two. This one was made on the Lunar New Year.. so why not call it the "Water Dragon Teapot". A simple Celadon, or Tenmoku, will do for the glaze.
Wood firing is not called by any name that resembles January. Slow pots are for now as we wait for the return of spring, when the potters return to their kiln.
Vessel oriented ceramic objects, or pots depending on how up or down market you want to sound. Still working out the kinks with the new camera. So here are some of the latest attempts at photographing some of pots from the fall burn.
~Make good pots
There is a puddle of green glass in this bowl. This is from the bowl being filled with ash during the firing and then melting at the end of the firing.
These two plates were from a stack of plates. The shino and ash had some good drama as they played with each other.
This is a teabowl from the back of the kiln. It's made of a mid fire red clay and brushed with a slip. It has a nice warm feeling.